Archive for the ‘helpful tips’ Category

Getting Ready for your Session

September 27, 2011

So, the holidays are almost upon us.

What you say? the HOLIDAYS?!  yes, just like that summer is over and BAM it’s the holidays.  for us photographer people that means the crazy rush of portrait sessions and christmas cards, and albums for the grandparents.  With all the craziness, it’s best to have your session done early- and by that i mean october.  it leaves enough time for editing photos, choosing your favorites, designing and printing christmas cards, and sending them out.  And although i am definitely no Martha Stewart, i try my best to get my holiday cards out by thanksgiving.  ok…. that hasn’t ever actually happened, but its my goal (again!) this year!

So i thought i’d give you a little behind the scenes look at how to prepare for your session- as i’m planning for mine!

please note: i really despise being in front of the camera.  oh man, it makes me feel so uncomfortable. but i do it each and every year because it matters to me to have pictures of my boys and i together. i want them to be able to look back on these photographs and see that their mama loved them. I want to look back on these photographs and remember how tiny their little bodies were when i held them, how their hands were only big enough to hold my finger when we walked.  that is important to me, and so i overlook my petty imperfections that normally bother me, and see the connections that are captured.  My babies will be babies forever in my mind and in my photographs.

it sounds slightly morbid… but i sometimes get anxious that something might happen to me and i want my boys to have photographs of us together and for them to know, without a shadow of a doubt, that they were loved with every single piece of my soul.

it is important.  it is so.so.so important.

and so… the photoshoot.

First things first:  Timing

We’re scheduling our shoot for mid october because it’s before the crazy holiday season and will give me enough time to attend to my own clients in november.  scheduling a holiday session the beginning of december (after you’ve realized that thanksgiving has come and gone) is a recipe for disaster. The time of day is also just as important.  shooting as close as you can to either sunrise or sunset is crucial.  mid-day photo sessions are just absolutely not an option under any circumstances.  the lighting is harsh creating dark shadows under your eyes, it is blisteringly hot, and no one is happy. shooting as close to sunup or sundown will produce the most magical atmosphere- sometimes a little hazy, a little glow-y, and always beautiful.  i’m more of an evening person (so are my kiddos) so we’re going to schedule our shoot about 2 hours before sunset knowing the best photos will happen in that last hour. sunset time for October 16th is  exactly 7 oclock.  Either schedule your session well in advance (august or september) to get a weekend session or be prepared to leave work early during the week as most photographers weekends fill up immediately come fall.

Location: (TBD!)

I know already that i want to do either an open field (fields have great beautiful light in the evening… and remember the LIGHT is the most important thing in a shoot, not the location!) or an orange grove.  an orange grove might be nice because there are things to interact with there- like picking oranges, holding a bucket of oranges, running through the rows… all of these natural distractions help take the pressure off the shoot.  you tend not to realize you’re being photographed when you’re interacting!  I’ll be hunting for great spaces in the next two weeks to get this nailed down, and keep you up to date!

Attire: (somewhat TBD!)

I’m not a matchy-matchy person.  sometimes i’ll dress the boys similarly, but i like for them to have their own little groove.  the trick is to keep the overall style similar without wearing the same thing or the same colors necessarily.

in my house my kids are half naked 80 percent of the time, and i want that to show through in our photos.  these are, afterall, photos of what our family is normally like!  last year, we forgot to bring shoes for Tavish.  oops. he also had a hole in his shirt.  we were running late…  (ps- its better to forget clothing items than to be late.  you’re on the sun’s time, and no one else’s.  there are only a few fleeting moments of amazing light- use it well)

i’ve got this little frock to wear

planning your photo session

planning your photo session

Every year i go back and forth between wearing a dress or jeans for a shoot.  dresses are great because when you hold your babies and spin they flare out and it photographs so well. Movement is great for photography- hair blowing, dresses swishing, scarves blowing…  i always try to introduce something that will create great movement.

This above image was found on pinterest, and i dont have an image credit for the photographer! if anyone knows who shot this image, please let me know so i can give credit where credit is due.  however, i think this is a perfect shot to showcase how wardrobe can really be impactfull in terms of movement and getting a stunning shot.  it wouldnt have been nearly as cool if she would have been wearing jeans and her girls’ hair was pulled back and they were in form fitting clothing.  no movement = no impact.

For D i really dont know.  i tend to leave it up to him with maybe just a little guidance.  he has this shirt that i think would look great with the above dress

getting ready for your photo shoot

and might be a nice pop of color in a field, or an orange grove.  he’s also got a sportcoat that would be great with it too to be a bit more formal.

and the boys… we’ll i think i’ll just leave them shirtless with jeans, i just love little bare bodies!  but, for a cute accent i might have them wear some suspenders off the shoulder, just hanging from their jeans. I dont like to be too contrived though, we’re a real family and i want that to come through in our family photography.

I’ll be blogging our process to get ready for our photoshoot over the next couple of weeks!  topics next time include:

what to look for in a photographer

how to correctly introduce props to your session (and how to find them)

and 5 details you haven’t thought of that can absolutely make or break your shoot.

Sometimes things just dont go your way.  Sometimes you run out of natural available light because your session runs a little long because you can never predict how a newborn is going to be for a photo shoot.  and Sometimes you have to get seriously SERIOUSLY creative to get one.last.photograph.

We had been trying all evening to get sweet baby Gavin to fall asleep. while we got some amazing shots of he alone and with mom and alone with dad, we had yet to get a family shot.  We still had about 15-20 minutes left of sunlight so i thought it would be no problem, right?  wrong.  Newborn sessions are about 90% soothing and feeding, and the other 10% is posing and photographing.  Gavin had had enough, and was not going to tollerate “just one more shot…”

my rule of thumb is to never never push things with a portrait session for any age of child, be that newborn, 6 month, 1 year and up.  its never a good experience when you feel pressured, and if a baby needs to take a break to nurse, i’d be much happier if he was happy.

But, in this situation, i was sweating it a little bit.  i knew if we took any time at all to nurse him, we would have absolutely zero light.  zero.  Sure, i’ve got my flashes (which i would normally never ever use for a newborn session- flash can disturb your slumbering baby that you worked so hard to get sleeping!)  but that is not going to create soft enough light for a newborn session without the use of a giant softbox.

I was crossing my fingers that we would have just a tiny tiny little bit of light left, and maybe i could just bump my ISO up a tad and it would be ok.

ummmmm no.

tampa newborn photographer

definitely NOT ok. I was quickly running out of options and the thought of driving another hour and a half round trip the next day just to get ONE photograph (not to mention intruding on their schedules) was not something i wanted to do.

so, thinking quickly on my feet i noticed the giant white garage door.  and then thoughts immediately went to my car’s headlights.  i jumped in my vehicle, pulled it up quite close to the garage door, and turned on my headlights so that it was bouncing off the garage door.  the white garage door acted like a GIANT oversized soft reflector creating the softest light.

tampa newborn photographer

I used a silver reflector to bounce back a little bit of light on the opposite side of my subjects, so it would have a nice soft even look.

tampa newborn photographer

and i used the blank wall behind them as the background.  (ps- see that blue sky?!?! it’s the blue hour!!!)

and then… we got this:

tampa newborn photographer

I am not going to lie… i’m kind of a little bit proud.  not only did i feel like a total photography NINJA but truthfully, it was softer light than i could have gotten with anything else.  i may honestly use my car headlight/garage reflector again if i can swing it.  It also feels good to know that you dont have to spend millions of dollars on photography if you’re smart enough to think of ways to get around it.  Would i have preferred to have a softbox?  if i was worried about impressing them and looking professional ABSOLUTELY.  But, I’ve photographed Jen many times now, and I know she trusts that whatever crazy thing i’m asking her to do will end up looking great.  and that’s what really counts, right? the final image.  Getting there is the fun part.

So, a few years ago, i was at this scary impasse of starting out my own photography business. It was terrifying- to walk out into that unknown world and just cross my fingers that i could make it, and that i could survive- that i could support myself and my family with my work.   I knew i was a creative (whatever ‘creative’ means… basically that means starving-artist who will do anything and everything that involves not sitting in a cubicle) and that i wasn’t so good with serious rejection.  Professional Dance profession= out.  gallery artist struggling to find a space to show my work=out.  both of those involve more rejection and heartbreak than my little tender heart can withstand, and i knew it wasn’t going to be the way i would find happiness and success. So, i started my own business, and just crossed my fingers that people would accept, support, believe in my dream with me.

and they totally did.

it was kind of thrilling.  it still is!  So when i got the email today that my friend Pete was launching his new product out into the world, i immediately checked it out, hoping i could help support him in what i know to be a scary entrepreneurial world.

OH.MY.WORD.

you guys, his product is so flipping cool i am left dumbfounded that it is not already invented.  i feel frustrated that I didn’t think of it first!

here is the situation.  i lug 3-4 cameras with me to every wedding i shoot.  currently right now i’m using just plain old camera straps. i’m getting choked by that many straps, plus i have to carry a camera bag as well over my shoulder. that’s like FIVE STRAPS.

i seriously need a new system.

now, there are some cutsie little fun printed camera straps out there for women, but they aren’t actually better functioning straps.  there are also some harnesses that allow you to hook your camera up, but my camera still swings around dangerously, and it doesn’t solve the problem of eliminating shoulder straps.  i need a secure way to keep my cameras close to my body, ready at a moments notice and not choke me with all their straps.  i’m a little person and these are some heavy equipment i’m hauling for 12 hours at a time.  i am sore and exhausted by the time i’m done with a wedding.

so enter my friend Pete, who happens to be a total genius and is trying to launch his new photography product.  i’m ordering some, and i can’t wait until i can use them at weddings and other shoots.  i can’t imagine how freeing it will be to not be strangled and weighed down.  i also can’t wait to use them to secure my camera to high backdrop stands to shoot stop motion and a whole host of other ideas that i have… the possibilities are pretty much endless. so anyway, he’s not paying me to say any of this, i’m just excited about this new little gadget that is going to totally make my life a million times easier, knew you guys would want to get the inside scoop, and also wanted to help support him in his endeavor!

so smart, right? simplicity boggles my mind. i can not believe this is not already a product on the market! genius….

So, anyway, if you want one, this is where to go get it! http://www.kickstarter.com/projects/97103764/capture-camera-clip-system and super cool too that you’ll be helping to launch his dream (and help fund the little baby he has on the way! eee! i love new babies!)

A Decent Cause…

April 26, 2011

I was sitting here at my computer editing photos… who’s i don’t remember.  but i do remember my phone buzzing with a text message from one of my best friends, Julie.  it went a little something like this:

“hey there, just keeping you in the loop.  They’ve found a tumor in Jason’s brain.  he’s going in for surgery right now. ”

Jason Decent is Julie’s long term boyfriend.  the boy she dated all through college and law school.  a boy who faithfully attended almost all dance team events (julie and i were on the team together, as well as roommates). Even then they were more committed to each other in college than some married couples i know now; i sometimes forget that they haven’t had an official ‘ceremony’ yet.  i thought maybe it was a cruel joke; when you think about someone you love finding a brain tumor you dont think you’ll hear about it via text. and then that’s when i realized that’s exactly how you’d find out… you want your close friends to know, but when it’s an emergency situation, you dont have time to call.  you need love and support right then, without having to breakdown.  Love and strength were sent via text back to her and to jason and their families.  it wasn’t until a day later that i got the chance to talk to her on the phone.

Jason had just moved to L.A. to be closer to Julie after their long distance relationship while he was in Law School in Milwaukee. He had just taken and successfully completed the bar exam (remarkably), but had been experiencing dizziness and trouble with balance.  The doctors had attributed it to Vertigo, but two days after Christmas the headaches had gotten so bad they went to the hospital, and there they were given the stunning diagnosis.  Jason is only 27 years old.

Jason’s surgery had gone well, but they needed to go back in within 24 hours to remove more of the tumor which was the size of a lemon pressing on his cerebellum.  The surgeries were successful, but julie and jason later found out that the tumor was stage 3 cancer, and he would need chemotherapy  and radiation treatments as well as lots of physical therapy. Because of such an invasive brain surgery and tumor, Jason needed to re-learn how to do basic functions like swallow, walk, and speak.  The mere thought of having to re-learn these tasks while trying to wrap your mind around ‘cancer’ is something i can not even begin to comprehend. he is truly the bravest and strongest man i know. Recently, he has received good news that the therapy has been working, but he has a very long road ahead of him.

Julie, meanwhile has been steadfast, helping mentally, physically, and financially support Jason and their struggle.  When i received the news, after the initial shock i began to think about some of the more practical worries.  Julie and Jason were out there in California alone, with no family.  Would the hospital respect Julie’s relationship with him even though they weren’t married?  how would they be able to manage with Julie’s salary as a dancer, and Jason’s student loans from law school and undergrad? would he be able to return to work? Recently, a fundraiser was held to help them offset the cost of medical and living expenses, and we want to do our part too.  We know that there are more expenses associated with this battle than just hospital stays and medication, one entire income has been lost, there are student loans to be repaid, and there are times that Julie has been taken away from her career as a professional dancer and instructor to selflessly help nurse Jason back to health.

So, on Friday May 6, join SugarLeaf Photography at the historic (and AMAZINGLY AWESOME) Iron Horse Hotel in Milwaukee, WI for a photography fundraiser with all proceeds going to Jason and Julie for their fight against brain cancer. I’ll be scheduling 30 minute mini-sessions with a suggested donation of 100.00, and will photograph any genre!  portraits, pets, bridal, maternity, engagements, product photography, you name it!  Even if you dont need photographs, i can schedule 30 minute photography lessons for that DSLR that you own but can’t quite figure out!  OR maybe you do have your DSLR figured out, but you just want to take your photography to the next level.  or, if you just want to come hang out with us and bring us coffee and donate money just to donate, then that is welcome too!

To reserve your spot email

lexia@sugarleafphotography.com   subject line: DECENT

and do be sure to state what type of photography you’d like, and if you’d like to reserve more than one block of time.

blue hour photography

Hey guys!  just wanted to give you all a heads up that my photography article on how to get great ‘blue hour’ photos is up at Slice of lemon!  go check it out to see how you can make your nighttime skies that gorgeous deep blue and make your photos really pop! it’s SUPER SUPER easy!

tour dates announced! 2011

January 17, 2011

tourdates

alright everyone! the tour dates for 2011 have been listed!  this is preliminary, of course, since we’re only just halfway into January so far!  dates are subject to change, so even if it looks like i will not be in your area on a certain date don’t hesitate to contact me anyway!

i repeat… don’t hesitate to contact me!  things change, travel schedules change, etc.  but, if it looks like i AM going to be in your area at some point, give me a ring (or an email, you know) and we may be able to set up a shoot.   if there is enough interest i may be able to extend my travel dates beyond what i have listed here to do a workshop for photographers, hold classes, do a boudoir marathon, engagement marathon, etc.   i’m always up for possibilities!

ps- i’m dying to go to NY (i’ve never been! can you believe that?) or anywhere out of the continental US as well, as i’m feeling a bit itchy for some good culture.  if you know of anyone getting married or needing a photo-shoot in any of these areas, by all means, contact me!

pps- are there really only three months out of the year that i’m going to be home?  in.sane.  go 2011!

Last week, i attended a webinar put on by Style Me Pretty and Pure Photo. Although it was geared toward brides, i wanted to attend just to see what they had to say, and if i could educate my own brides any better than i already do. They did have some great ideas, and snapped some screen shots to share with you guys. This webinar was all about educating brides on how to get the most for your money. There are so many things that photographers WISH you knew, but either dont want to sound pushy or demanding, or sometimes just dont have enough time to sit down and talk about all of this- which is no real good reason at all, is it?! So, lets start out right now by going over what you REALLY need to know before hiring a photographer and before your big day.

Looking for a photographer and their Style:

its funny to have to actually say this, but make sure that the style of your wedding photographer fits the feel of your wedding day, and the style of you as a couple. Often, finding a photographer is such an overwhelming task, that brides just want to find a decent one, and are more concerned with checking that item off their wedding to-do list than actually finding the perfect fit. if you dont want staged photographs, you need to find a true photojournalistic photographer. if you want some edgy magazine style photographs, you need to find someone who specializes in that. Now, there are photographers (like myself) who do a little of both.  all of this comes back to great communication between client and photographer, and understanding what kind of style fits you best.

if you dont know, dont be afraid to cut out pictures from magazines or wedding blogs that you just adore, and share them with your photographer.  Of course, photos can never be fully replicated (nor would you want to do that, it ruins the spontineity and individuality of your day) but it does give the photographer a great idea of what style you gravitate towards.  inspiration boards are key (read: collage of pictures)- check out Style Me Pretty’s inspiration board maker right here. If you dont know why you should make an inspiration board, I think they say it perfectly :

By now you must know that Inspiration Boards are an essential wedding planning tool. They’re the perfect way to hone your vision and create a chic, cohesive style that you can share with your family and wedding vendors. Plus they’re a super fun way to explore a million different looks for your big day. No matter your style, chances are, that between creating your own boards and exploring all the designs right here, you’ll find the perfect wedding inspiration to suit your own unique style.

I know that if i was planning a wedding and i told my fiance all about the peach and champagne color palette with the bunting banner and mason jar candlelights he would have no idea really what i was talking about. i dont think most men would.  but if i showed him an inspiration board  he’d be like “oh yeah, i totally see what you’re going for”- it makes everything clearer.  if you make multiple inspiration boards, you can show them to your fiance and see which one he’s gravitating toward as well.  and lets face it, it’s always better when the groom is on board and feels included.

Also, during your initial consultation meeting with your photographer, make sure you have any pertinent people who are in the decision making process present.  if your parents are footing the bill for photography, it is important that they come to the meeting.  they (most likely) have a different idea of what wedding photography is about (it’s much different since their wedding!) and we dont want any surprised parents on the wedding day. I definitely want to be clear on expectations on both our parts.

Get the photographer you want, products can come later:

well, i wouldn’t exactly agree with the “no one orders the album within a year” part (my clients do!) but yes, you can not undo bad photography. so much better to get the photographer you really want, with no products, and less hours, than a wedding photographer that’s only pretty good with an album, 12 hours of coverage, 2nd shooter, etc. etc. etc.  We know we will never be the cheapest photographer out there, but that is because we value giving you quality products. We will also never be the photographer who gets you images 2 weeks after your wedding, because again, we value our products, and take our time on each image to make it exactly right.  you’re investing a lot of money and trust into us, after-all, and we want to live up to our own, and your, expectations.

Wedding Photography Packages breakdown:

Hours of Coverage:  you’re going to want to figure out a rough idea of a timeline before deciding on hours of coverage.  we’re going to talk about timelines in a minute, but for simplicity we’ll just say right now that if you decide to do a first-look, you’re timeline will be streamlined, and therefore you can cut out a good chunk of money for hours of coverage. Make SURE you discuss your timeline with your photographer, and coordinate your wedding planner’s timeline with your photographer’s. you may not have realized that sunset is at 5 pm, and your ceremony ends at 4:45, leaving you just 15 minutes for formal photos (not enough time!) and zero minutes for intimate photographs of you and your husband.

2 photographers: If you are on a budget, this is the first thing i tell brides to cut out of their wedding package.  two photographers is great if you have a difficult timeline (formal photos at the same time something else is going on at the cocktail hour you’d like photographed specifically, if you want a photobooth at the reception while still wanting to capture guests dancing on the dance floor, etc) or if there are large distances to be traveled (bride and groom getting ready at the same time in very different locations across town, 15 or more minutes of travel time between ceremony and reception locations, etc), or if you have a huge wedding party or guest list.  but if you’re wedding is pretty cut and dry, one photographer should be just fine to capture the story of your day.

Engagement sessions:  this is NOT just to announce your engagement or to order save the dates.  this is a practice run.  this is to get to know me as a photographer, to get to know you as a couple, and to learn how to be relaxed and candid in front of a camera.  rarely are we photographed without looking at the camera and saying ‘cheese’ in real life, and you dont want to be practicing looking natural (but feeling very awkward) on your wedding day.  it is also a big confidence booster, to take those engagement photos where you may feel a little uncomfortable (most people haven’t been photographed since they were a senior in high school) and then see amazing shots come out of that.  it will give you confidence to know that your wedding photographs are in good hands.  Also, if you end up hating your engagement photos, it gives you a big heads up to look at other wedding photographers ASAP before it is too late.  The difference between couples who have had an engagement session to those who haven’t is incredibly evident in their final portfolio.  so much so, that i’ve stopped charging for engagement sessions and have added them into most of my packages for free.  It was worth it to me to see my couples be comfortable in front of the camera.

High Resolution images: For many brides this is a make or break deal.  I see it slightly differently, and i’m going to give you my 100% honest opinion: it shouldn’t be a make or break deal.  as a matter of fact, only a few of my packages actually include the high-res images.  here’s why i dont think owning the high-res images should have so much weight: 1) if you’re worried about having your wedding images safe and secure, we have you covered.  we have so many external hard drives, virtual storage, etc. etc. etc., that it would literally take the collapse of the entire internet  and a natural disaster to destroy your wedding images.  2) you have just invested at least 3,500.00 for a photographer. i am not naive enough to think that is a small amount of money; it is a large investment.  do you really want to go print your images at Walgreens?  By doing that, you will have just turned that amazing shot into a run of the mill wedding  photographer’s  image.  it would be like just getting a 3,500.00 manicure, and then going home and painting over it- in a very very bad way.  3) we keep our printing prices low so that you WILL be able to afford to print images with us after your wedding.  we want you to have physical prints in your hands of your day, be it an album, canvas wraps, or traditional prints.  4) We already encourage you to share all your images on facebook or other social media, and you dont need the high-resolution images to do that.  Low resolution is what is best for sharing online, and you already get those FOR FREE!  (i love free things, dont you?)  5) we keep your gallery up forever, so that you dont have to pay a re-posting fee.  if you want to order prints in 6 months, in 2 years, in 10 years, you can go do it instantly.  it will actually take you less time to do that than to go find your disk of high resolution images, take it to a drug store, print it, pick up the prints…. you get the idea.  it is SUPER EASY.   so, instead of getting the high-res images, i’d save my money for something else that you cant get anywhere else…. like…..

Albums.  i will say that we have more options for covers, styles, and quality than any other photographer that i know of.  I have exclusive contracts with the best professional album companies in the world.  in the world. the best. it’s something we’re very proud of, and it feels really great to be able to show these amazing works of art to our clients. but, if you are looking at other photographers you NEED to look out for these things:

layout design:  are there distracting design elements (like swooshes, curlie cues, etc)?  are some images crooked (think like you’re thumb-tacking an image to a board)? are there images in an oval shape? are there images in ANY other type of shape (diamond, star, etc)?  are there images laying over top another image? is there any text or words? these are things that may seem “cool” or “trendy” or “unique” right now, but they will not stand the test of time later. they will look dated, and in ten years from now you will laugh about the design instead of remember the moments and appreciate the photography.  Design should be clean, clear, concise. The Image should take priority, not the design.  the design should only enhance the images, not be the dominating factor.  This is not a high-school yearbook, this is a fine art album that your grandchildren, and their grandchildren will look through.

traditional vs. modern:  we have both styles of binding.  the library pages that are traditionally bound (they refer to it as magazine-style above in the screen shot), and the lay-flat album  (they refer to it as board-book above ) which can host a large panoramic image spread across both pages. one is not better than the other, it is merely your personal taste.  make sure the photographer carries what you prefer.

credit: an album credit in our packages means you get a certain amount of money towards the purchase of any album you would like.  we want you to have an album, but realize that sometimes it’s just not in the budget when you’re trying to afford everything wedding related.  we’ll wait patiently for you :) like i said, we’d rather have you hire us, and wait with products, than not be able to afford to have the photographer you really want.

sides vs number of images: our albums are 20 pages in our basic album. you can always order more pages if you’d like! and, we never put a limit on number of images you can put in the album, within reason.  one must understand that the more images you give to me while saying you’d like to stay in a certain number of pages the more degraded the design quality will be.  it would be crazy to try and fit 10 images on one page.  we stick with anywhere from 1 to 4.  so, if you want a lot of images included, purchase more sides (pages).  if you want to keep it low-budget, narrow your images down to what you really really need to have.

Pro vs. consumer albums:  professional albums are expensive.  for you, AND for us.  some basic albums cost us anywhere around 800.00 JUST to purchase them.  that doesn’t take into account any customizations, additional pages, printing of images, design time, ordering time, album ordering consultation meeting time, shipping, etc.  i promise you, photographers out there aren’t buying their albums at 50.00 and making 1,500.00 off of them.  in reality, our profit margins for creating albums is miniscule.  but, this is the grand culmination of the efforts we’ve put in, and we like to see it come all together in print.  the reason these albums are so much more expensive than the consumer ones you can purchase yourself is because these album companies have book artisans that hand create each album individually. they have gone to school for book making- it is an art, not just a job.  it is their field, their profession, their artisanal craft. these albums are archival, meaning they wont degrade your photographs.  photography, by nature, is unstable, and will always degrade.  these albums will make that shelf life a lot longer.  not to mention they are the most beautiful products i’ve ever seen. Professional album companies work exclusively with professional photographers, and often times a photographer will have to be selected to even carry their product. if you are buying a wedding album for less than 500.00… something is not right.  it is either not a professional album, not of good quality, not archival, or something.   You can expect to pay at least 1,000 for a well made, well designed album.

Timeline:

They’ve said it perfectly.  When i say budget in an extra hour for hair and make-up, i really really do mean it.  what is the worst that can happen? you get an extra hour with your girls?  you get an extra hour to soak up your wedding day? you get an extra hour with your photographer?

and here’s the big one:

First Look

I know this is kind of a controversial one.  I am actually a convert. i wanted to see my husband for the first time as i walked down the aisle, but now, we are both all for seeing each other before the ceremony.  We will ALWAYS work with brides who want to stay traditional.  but we just want you to know what the benefits are for seeing each other before the ceremony  as well.  As they said above, it gives you the chance to get out the jitters, and to actually have a moment to talk- for your husband to actually tell you how beautiful you look.  Brides who’ve done a first look say that they feel like they are going through this day together rather than apart and meeting at the aisle. They also all agree that seeing each other before the ceremony didn’t actually detract from the emotion as they were walking down the aisle. there is no other moment like that one, as you are walking down the aisle to meet your husband, as you are hearing the music, as all the friends and family members are gathered there, standing up watching you walk down the aisle to meet your love.  it will not matter if you saw each other before that moment or not, at that time, that moment is all that exists.

in a condensed version here are the benefits:

1) you spend more time with each other on your wedding day than apart

2) the nervous jitters are out, and it turns into excitement

3) he’ll be able to actually tell you how he’s feeling, how beautiful you look, how excited he is. sometimes, those things do not have the chance to be said until the reception, otherwise.

4) you’ll be free after the ceremony to enjoy your cocktail hour with your friends and family. again, adding to the feeling of togetherness on one of the most important days of your life.

5) your timeline can be streamlined incredibly. without seeing each other before hand you will be  trying to hurry through formals after the ceremony, then hoping to have at least an hour of the two of you alone together for pictures (which, lets be honest, family formals ALWAYS run late, more on that in a minute) while you’re missing out on the cocktail hour, and so is your photographer because she’s trying to photograph you, and then hurrying in for the grand entrance, and you’ve got all this pressure on you to get in there on time because guests are hungry…. Are you going to feel good taking photos if there is time pressure on you?  seeing each other before hand and getting intimate shots of the both of you before the ceremony ensures we will have ample natural lighting for you (especially if you have your ceremony late in the day), and after your ceremony things can flow easily, for both you AND the photographer.  I am able to work easily without a second shooter, and still be able to get those amazing photos of the reception area before guests walk through and deconstruct the scene and table settings.

6) stress is lessened.  need i say more?  isn’t less stress a good thing on your wedding day?

The Shot List:

Oh that last one is a biggie!  yes, please, have someone (a bridesmaid, a master or mistress of ceremonies, a favorite aunt, a wedding coordinator, a personal attendant… anyone who knows who is who) to call out names and make sure that people are present, ready, and waiting to jump into the shot.  if you are having any more than 8 formal photos of family members, with anymore than 8 people in each photo, this is absolutely a necessity.  if you are not doing a first meet, and plan on having photos of just the two of you after these formals, i can not stress enough the importance of making this streamlined as much as possible.

it is so important.

have i mentioned how important it is?

things to help:

  • talk to important family members to be photographed well before the wedding or the rehearsal dinner.  Tell your Aunt Sally that you love her a lot, and really would like her to be included in the formal photos after the ceremony, and that they will be taking place immediately after the ceremony, so please, do not run back out to the car quickly, or run up to the bar for a quick glass of wine, or to the restroom.
  • repeat this information to all family members at the rehearsal dinner.  if extended family members were not at the rehearsal dinner, designate another family member to make sure to get in contact with them that day to relay the information.
  • Have your officiant make a small anouncement after you have exited for all immediate family members to stay at the altar for formal photographs.
  • and, of course, have someone designated to help round up stragglers.  because i dont know who is who, i wont be able to tell you if we’ve already photographed your great aunt sally or not, or if i saw her leave the ceremony area, or if i could please go run and find her.

I’ll Also take Spa Treatments…

ok, so, you definitely dont have to get me a spa treatment.  but, i have had brides forget to feed us dinner.  when i was pregnant.  after shooting for 12 hours a day.  it was a rough evening to say the least.  I always keep an energy bar with me and a protein drink in the car for worst case scenarios, but you really do want your photographer to have the energy it takes to be creatively thinking for 12+ hours during your day lugging 20+ lbs of equipment on their shoulders.  you dont want to see them fizzle out at the end, and food and water have a big role in that.  Also, appreciation goes such a long way.  if we know YOU want us there, then WE want to be there.  and we also want to do a stellar bang up job on your wedding so you can be even happier.  we’re only human, and if we’re working with a bridezilla, sometimes it’s hard to be excited about the things she’s excited about and it shows through in the photography.  we want to create the best possible relationships with our clients.  we want to know and remember your wedding date years from now.  we really do care about what we do.

Looking your best

All of these are great tips! i especially want to point out the nervous laughter thing.  When i am feeling out a couple, if i notice they are feeling a bit awkward, i may actually put them in a more awkward pose than they already are, KNOWING that they are going to burst out in laughter.  that is specifically what i’m going for, the real laugh.   so dont try and play it cool…. feel on the outside how you are really feeling on the inside.  if you are trying to stifle in a laugh, dont.  just let it go.

also remember that you are on camera all day long.  not just during formals.  so if you really hate how you look when your nose is scrunched up, try and not do that.  i never want someone to be who they are not, and i always prefer brides to not really notice that i am there, but in the same way a celebrity is aware that at any time someone could be photographing them, you can apply that same principle to your wedding day.

Getting your wedding Published:

although what is generally most important to you, the bride, are photographs of the two of you, that’s not what publishers are looking for. rarely are any photographs of family members or friends included if it doesnt have anything specifically to do with decor or details.  other brides want inspiration for their own weddings, and are hoping to get some ideas from you.  what i will say is this: cohesive, cohesive, cohesive.  if you can tie in all details of your wedding together in a cohesive manner, it will make all the difference.  Also, different wedding publishers have styles that they specifically look for.  Style me Pretty, for instance, generally features out door, shabby chic weddings. Martha Stewart generally features weddings with impecable (somewhat formal and traditional) tastes.  there are blogs and publications out there for DIY brides, for budget brides, for hippie brides, for rockstar brides, you name it.   submit your wedding to publications that are looking for your style, and you’ll have a lot more success.

Little things make a BIG DIFFERENCE!

clean up that room: that amazing shot of you putting on your wedding dress is not going to look so amazing with that cooler full of beer behind you.  or all the plastic garment bags strewn on the bed.  or all of your suitcases open with clothes strewn about.  take the time to tidy up, or better yet, get ready in another room other than the one you are staying in.

dont forget a nice hanger for your dress.  a dress shot is always an image i take at a wedding, and it is always less amazing when it’s on a white plastic hanger.  check out these wire hangers, or these funky ones, or all these ideas!  Those are totally out of the box ideas, but  just a traditional wooden hanger will do nicely.

Dont forget your letterpress (anything paper printed material like your invites, save the dates, menu cards, etc) so we can photograph them as well! when submitting to be published, editors are going to want to see how you invited your guests, if it was cohesive with the style of wedding, and if there were any unique attributes to them.  it can sometimes be a make or break deal for getting your wedding published.

bring a hand mirror to see the back of your hair! it also makes for some pretty amazing photographic shots.  you’ll also want a full length mirror to see yourself fully dressed.

schedule in some time to do a mini boudoir session in your lingerie before putting on your wedding dress.

scissors and a sewing kit are  commonly searched for items while getting ready.  everyone will want to cut off their hanger straps, and it’s pretty hard to do with a nail clippers!

PHEW! alright that was a lot of information. Are you guys exhausted? i am!

alright, this is serious business.  SERIOUS.  two things:

1) if you dont already follow Style Me Pretty, you need to start!  it changed my entire world when i started wedding planning, giving all sorts of tips and advice, but more importantly inspiration.  and, then, well…. that elopement sort of thing happened so i didn’t actually use any of my inspiration, but that’s sort of beside the point.

2) right now they are hosting a webinar of sorts, an online photography workshop- not for photographers- but for YOU! the BRIDE! (click here to sign up!)

so, i’ve always said that wedding photography is a collaboration between client and photographer.  We, as photographers, are only human.  If circumstances are not set up correctly for us, well, you may still get great photography, but imagine what it could have been had things been set up well.  for instance, bountiful natural light in the area you’re getting ready instead of a church basement.  or an entire hour completely set aside for portraits of you and your husband.  or someone else rounding up all the family members for formal portraits so we can knock those out one at a time quickly and let the guests get to the cocktail hour, and keep things moving smoothly instead of wasting precious moments of your wedding day waiting around for uncle Jo to get back from his car because he forgot your wedding present there (i can not tell you how many times that happens… at least 8 out of 10 weddings).

Why would you spend upwards of 3,500.00 to 6,000 for wedding photography, and not have ideal circumstances?  Would you buy a new car and then strip it of leather interior?  how about a down payment on a house, and then go and graffiti the walls? would you spend thousands of dollars on your floral arrangements for your wedding and then let them wilt in the sun? I always try and have meetings with my brides to educate on the importance of some of these key things (timeline, natural light, etc) because it is so completely important.   Wedding photography is not studio or fashion photography, we dont have the luxury of knowing the exact circumstances and lighting before hand.  we can only work with what we are given, and that part is up to you.   i love a challenge, but lets not gamble with your wedding photography, shall we?

so go sign up here.  it’s 29.00, and i’m assuming (as i haven’t seen it yet) that it is going to be all those things you wish you knew before your wedding day.  i’m attending, just so i can talk about it more in depth with my own clients.

Remember, your wedding photography is AS IMPORTANT to me as it is to you. i publish it on my blog and on my website. it’s my reputation, it has my name on it.  i love creative shots, and get just as excited about it as you do. so lets work together and knock this thing out of the park.

God i love weddings.  get me all jazzied up.

YEAH!

ps… i’m PINING after this camera…. *sigh*.   i want it so badly.

Photography 101

August 25, 2010

this year is all about giving back.  and along with giving a wedding away for free, boudoir sessions away to cancer fighters, pet sessions away for rescued animals, and discounts for being environmentally friendly, i thought i should give something back to my fellow photographers out there!  that means YOU.  if you’ve got a camera phone, a small point and shoot, a DSLR, a video camera, a computer with a camera, ANY TYPE of device that takes a picture, this post is for you.  A lot of photographers wont tell you their “tricks” or their “secrets”,  but really, what’s that doing to the population of pictures?  it’s making the majority of them yucky.  lets share the knowledge that we have, help each other out, and raise the level of photography all over.  i know there are a lot of brides out there who cant afford to hire a professional photographer, it just isn’t a possibility.  that doesnt mean there shouldnt be pictures of your wedding- that is one of the most important days of your life.  so this post is for all those friends of the bride who have a camera and are going to capture their day.  this is for those pregnant mama’s, or new mama’s who are saving every penny so they can afford to feed, cloth, and send their babies to good schools and give them the life they deserve instead of spending it on photography.   i know, i get it.  and i want to help you out.  we dont need any of these wedding pictures floating around:

ten years from now you’re not going to think that picture is that pretty,  and photos of your wedding day are not something you want to mess up.  Sorry linds!  i took one of her beautiful wedding photos and totally just trashed it in photoshop. I’m hoping she’ll be ok with me sacrificing her to the photography gods. a steadfast rule: white vingnettes are NEVER (i repeat!) never a good idea. as well as any other type of shapes (heart, diamond, oval) that you want to put around your photographs.

there is so much photography out there these days that makes me cringe.  and a lot of it has to do with the revolution of the digital age.  it seems anyone can now grab a photo filter, throw it on their picture, and BAM- sepia toned picture.  or how about this super cool thing! lets turn the entire picture black and white except for one area of color … say… in the eyes.  no. i beg you.  please dont.

and let me tell you why.

remember (this is to my ladies) when you first started wearing make-up?  you wanted people to know you were wearing makeup.  2cm thick liquid eyeliner does NOT look natural.  and it very very very rarely enhances the natural beauty of an eye.  but people do it, because they think that maybe by outlining the eye intensely, it will help.  I’m only using that example because i WAS that girl.  and then someone told me something that changed my entire view of make-up: you want the viewer to think that you are NATURALLY that beautiful.  the make-up should enhance your natural features, not overpower or hide them. aka… they dont want to even know you’re wearing make-up.  there are exceptions to this rule (like all rules) of course…  i wont lie and tell you i dont love a good deep red lip every once in a while…. but that’s what it is. every.once.in.a.while.

and that, my dear photographers, is the exact same theory you should apply to your photographs.  filters, actions, re-touching, ANY type of post processing should be done with careful thought.  ask yourself WHY are you doing what you’re doing?  what are you trying to say?  why do you want to make the eyes a different color?  because you want to draw attention to them?  great answer!  wrong way of going about doing it.  it looks un-natural and… well…. scary.

YIKES!   need i say more?

but i haven’t solved your dilema.  you want your pictures to be “cool”.  to be “different”, and, you still want to draw attention to the eyes.   well, lets try composing so that the eyes are naturally the main focal point. get in close to your subject.  make sure the eyes are in focus.  if you cant get in close, the crop down close.  make sure there is nothing extraneous going on in the background that would take away from where you want the attention (the eyes!).

where did you first look when you saw this photograph?  the eyes!  and it pretty much stayed there because… well… there’s not a lot else going on in this picture.  so it is sucessfull, and hey (!) i didnt even have to do any black and white/ selective color work!  yay for no work!  i like doing non-work things with my time, how about you?

it is also successful because it is properly exposed. meaning, there are very little (optimally, there would be no) clipping of highlights or shadows.  when you clip a highlight or shadow it means it is 100% white, or 100% black- there is no detail in that area.  properly exposing your picture is the number 1 rule to a decent photograph, along with getting what you want in focus actually in focus.  if you’re not sure how to do this, definitely go read your camera manual.  i know it may sound boring but it will shed some serious light on this subject (haha! no pun intended! i’m just that funny). do my photographs clip the highlights and shadows? sure. some of them do. sometimes you just can’t get around it without some SERIOUS time and effort. but, lets try to do it as very little as possible.  Since i know most people dont own a DSLR, and just have a point and shoot (or camera phone) i’m going to use an example i took with my point and shoot.

this was a quick snapshot i took of my son, Tavish when he was just a couple months old.  it’s not meant to be a professional photograph, it’s just a quick snapshot.  but, lets say i wanted to try to make it better.  often times people want to make their photographs “pop” and they run right to the contrast tool to make it happen.  let me show you why you shouldnt do this:

see all that white area and black area?  it’s clipping.  meaning  it kind of looks like there is a gapping hole where all that white is. it’s empty and it makes people feel uncomfortable when there are holes in your picture, or where they cant tell where the edge is.  and see the color distortion in the face?  that shocking yellow is not a pleasant skin tone.  imagine if you woke up tomorrow morning, looked at your reflection in the mirror and saw it was bright yellow like that.  would you freak or be like “wow… i look amazing today. i really ‘pop’ “.   you’d freak? yeah, that’s what i thought.

so all the red areas are holes in your photograph, and the blue areas are the parts where it is just a black ink blob.  not so good.  you’ve now ruined any of the detail in those areas, and we love detail! having detail doesnt mean that your photo has to be all grayed out and washed out.  actually, it means the opposite. the more detail you have, the more color range you can have. so what should you do? there are a lot of advanced things you can do, but since we’re keeping this 101, here’s a quick super easy fix.  if you have photoshop, you can use the dodge and burn tool.  BAM! detail, AND pop, AND no clipping!  yes! you’re totally on your way.  you are now better than 70% of photographers out there by fixing this one thing about your pictures.

so lets say you want to make a black and white picture from a color picture.  i could get into really advanced techniques of black and white conversion stuff, because it is a bit trickier than it seems.  but as a rule of thumb, in it’s most simple and basic form, i take my color picture, desaturate it to black and white, add a little more contrast, and then give it a tiny warming filter.  WHOA!  a lot to take in?  not really. check it out. This is my straight up black and white picture from that silly little snapshot from before.  it’s a bit… “cool” (as in color tone) for me.  i dont like my black and white prints looking blueish because it’s just not a very natural skin color.  unless you’re at blue man group.  then it’s cool by me.

so lets add a little filter (image, adjustments, photo filter, warming filter at 10% strength) to help make this baby seem a bit more alive and healthy.

holy.man.  you’ve just learned black and white toning… a little tiny detail that gives your black and white photos depth, warmth, and a human quality to them.   you are now better than 90% of the photographers out there.  heck, you dont even need me!  i am putting myself out of business as we speak.

but dont get carried away!  just because your photo editing software CAN do things, it doesnt mean it should.  just because you HAVE photo filters, doesnt mean you should use them at full strength (or even at all).  check this one out:

YIIIIKKKKEEESSS!!!!!  here’s that same exact photo filter at like, 80% strength.  that’s not even full power!  i couldnt bare the sight of it, and i didnt want to torture you too much with it at full strength. it’s burning my eyes.  just because photoshop (or whatever software you’re using) allows you to do this type of thing doesn’t mean this is what it was meant for.  Photoshop developers give you all the resources you could ever possibly use, but its up to you, the photographer and image editor to use sense and moderation in how you use them.

in this age, when everyone has a camera, and anyone can edit their photos in image software, we have to be mindful about the filters we put on our photographs.  just because it’s cool and different doesnt mean it makes a good picture that people are going to like looking at.  being creative, and making creative photography isn’t about what wild filter you can put on your picture.  it’s about how you compose the picture. the care you take in exposure. the message you’re trying to get across. the story you’re telling. the emotion you’re conveying. the interesting lighting situation (window light? filtered light? sunset? shooting when the sun is coming through the blinds and creating pattern and texture?).

lastly, if you really do want your pictures to have a vintage look, and you’re not a photoshop expert, why not actually take pictures with a vintage style camera with… (GASP!) film? there are so many cool things out there that are artistic and authentic. this isn’t a photoshop trick, this is the real deal hollyfield.  it was taken with a Holga camera with medium format color film.  you can do this.  and the best part is…. no photoshop.  no editing time.  just pure and simple.

so trust yourself, have confidence in your image and dont cake too much make-up on it.  if you originally thought it was beautiful, it probably is….  just the way it is.

love yourself, love your photography.

look! it’s almost like we’re saving the world!  :)

re-launch!

July 21, 2010

we’ve been working super hard here! on top of getting our clients photos/albums back to them, we’ve also been working on a big overhaul on our website and marketing material. it started with wanting to make the logo more… “us”… which turned into wanting to make the website more “us” and then once you start, you really just cant stop.

go check it out!! quick! and then come back here to learn more.  http://www.sugarleafphotography.com

so the new logo…

was inspired by my vintage typewriter that i bought at goodwill for 5 dollars.  instead of finding a digital typewriter font, i literally typed out sugar leaf, scanned it in, and created the first part of the logo. “photography” was then handwritten. i love the imperfectness of it,  vintage quality, and the fact that it is wholy unique to us, and us alone.  and i feel it represents everything about our photography up and down and sideways.  YAY!

and the website is jam packed with a completely new portfolio, so be sure to spend some time on there.  there will be more changes to come, like a new way for clients to proof and order their images, as well as a gallery specifically for our album products.  not to mention, this blog is about to get a big overhaul as well!  we can’t very well have the old logo on here, and the new logo on the website :) but i just couldnt hold back the re-launch of the website any longer! much too excited :)

13 visitors online now
7 guests, 6 bots, 0 members
Max visitors today: 15 at 04:25 am UTC
This month: 107 at 02-08-2012 02:29 am UTC
This year: 107 at 02-08-2012 02:29 am UTC
All time: 107 at 02-08-2012 02:29 am UTC